Kate Moss’un taht\u0131na oturan Agyness Deyn’in sa\u00e7 modelini yaratan tasar\u0131mc\u0131 Sam McKnight, k\u0131sa sa\u00e7 modas\u0131n\u0131n artarak s\u00fcrece\u011fini s\u00f6yl\u00fcyor. Ayr\u0131ca k\u0131pk\u0131rm\u0131z\u0131, sapsar\u0131 gibi d\u00fcz renkler g\u00f6rmeye de haz\u0131rl\u0131kl\u0131 olun.. y\u0131l 2005. \u00dcnl\u00fc foto\u011fraf\u00e7\u0131 Mario Testino, Vogue dergisi i\u00e7in bir \u00e7ekim yapmaktad\u0131r.Testino, sa\u00e7 tasar\u0131mc\u0131s\u0131 Sam McKnight’a modelin sa\u00e7lar\u0131n\u0131 g\u00f6stererek ‘\u015eunlar\u0131 biraz k\u0131rp\u0131ver,’ der. McKnight da ‘k\u0131rpar’. ve bu radikal sa\u00e7 kesimi, Kate Moss’tan sonra st ili en \u00e7ok konu\u015fulan yeni moda ikonunu yarat\u0131r. Agyness Deyn’in y\u0131ld\u0131z\u0131 bu kesimle parlar ve k\u0131sa zamanda Armani, Burberry, Dolce&Gabbana gibi markalar\u0131n y\u00fcz\u00fc olur. Sam McKnight, Agyness’in \u00e7ok\u00e7a kopyalanan punk’vari kesiminin yan\u0131 s\u0131ra, Kate Moss’a kak\u00fcl keserek al\u0131nlar\u0131n daralmas\u0131 trendini ba\u015flatan isim de ayn\u0131 zamanda.Cate Blanchett, Aviator filmindeki rol\u00fc i\u00e7in Oscar al\u0131rken ve son Oscar t\u00f6renine yine McKnight’\u0131n yapt\u0131\u011f\u0131 modelle kat\u0131ld\u0131. Tasar\u0131mc\u0131, 1978’de ger\u00e7ekle\u015ftirdi\u011fi ilk Vogue \u00e7ekimlerinden bu yana, 30 y\u0131ld\u0131r alan\u0131n\u0131n \u00f6nc\u00fclerinden biri. Bir\u00e7ok derginin kapak ve moda \u00e7ekimlerinin yan\u0131 s\u0131ra Alberta Ferretti, Armani, Ralph Lauren ve Versace gibi markalar\u0131n defile ve Reklam kampanyalar\u0131nda da parma\u011f\u0131 var. Sa\u00e7lar\u0131n\u0131 tasarlad\u0131\u011f\u0131 isimler listesi Bj\u00f6rk, Claudia Schiffer, Elizabeth Hurley, Gisele Bundchen, Kylie Minogue, Madonna, Milla Jovovich, Naomi Campbell, Nicole Kidman diye uzay\u0131p gidiyor.<\/p>\n
RENK, KESIMDEN \u00d6NEMLISam McKnight, Milano Moda Haftas\u0131’n\u0131n da g\u00fczellik sponsoru olan P&G Beauty’nin yeni global el\u00e7isi. Defileler aras\u0131nda g\u00f6r\u00fc\u015ft\u00fc\u011f\u00fcm\u00fcz McKnight, gelecek y\u0131la damgas\u0131n\u0131 vurmas\u0131 beklenen sa\u00e7 trendlerini anlat\u0131rken, en \u00e7ok \u00fczerinde durdu\u011fu konu, ‘modas\u0131 hi\u00e7 ge\u00e7mez’ dedi\u011fi \u2018’Sa\u011fl\u0131kl\u0131 ve \u0131\u015f\u0131lt\u0131l\u0131 sa\u00e7lar’ oldu. “Sa\u011fl\u0131kl\u0131 sa\u00e7 daha l\u00fcks g\u00f6r\u00fcn\u00fcr; onunla istedi\u011fini yapabilirsin,’ diyen tasar\u0131mc\u0131, rengin de kesimden daha \u00f6nemli oldu\u011funu vurguluyor.BALYAJ VE R\u00d6FLE AZALIYORMcKnight’a g\u00f6re \u00f6zellikle Agyness’inkini and\u0131ran k\u0131sa modeller, bir s\u00fcre daha devam edecek gibi g\u00f6r\u00fcn\u00fcyor. McKnight, bunu modadaki ‘androjen’ ak\u0131m\u0131na ba\u011fl\u0131yor. Tabii Amy Winehouse’\u0131n ‘beehive’ modeli de pop\u00fclaritesini s\u00fcrd\u00fcrecekmi\u015f. K\u0131pk\u0131rm\u0131z\u0131, kopkoyu, ya da sapsar\u0131 gibi d\u00fcz renklerin de \u00f6n planda oldu\u011funu anlatan McKnight, balyaj ve r\u00f6flenin azald\u0131\u011f\u0131na dikkat \u00e7ekiyor. sabah&<\/p>\n","protected":false},"excerpt":{"rendered":"
Kate Moss’un taht\u0131na oturan Agyness Deyn’in sa\u00e7 modelini yaratan tasar\u0131mc\u0131 Sam McKnight, k\u0131sa sa\u00e7 modas\u0131n\u0131n artarak s\u00fcrece\u011fini s\u00f6yl\u00fcyor. Ayr\u0131ca k\u0131pk\u0131rm\u0131z\u0131, sapsar\u0131 gibi d\u00fcz renkler g\u00f6rmeye de haz\u0131rl\u0131kl\u0131 olun.. y\u0131l 2005. \u00dcnl\u00fc foto\u011fraf\u00e7\u0131 Mario Testino, Vogue dergisi i\u00e7in bir \u00e7ekim yapmaktad\u0131r.Testino, sa\u00e7 tasar\u0131mc\u0131s\u0131 Sam McKnight’a modelin sa\u00e7lar\u0131n\u0131 g\u00f6stererek ‘\u015eunlar\u0131 biraz k\u0131rp\u0131ver,’ der. McKnight da ‘k\u0131rpar’. ve bu radikal sa\u00e7 kesimi, Kate[Devam\u0131n\u0131 Oku…]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[229],"tags":[1618],"_links":{"self":[{"href":"https:\/\/gncz.net\/index.php\/wp-json\/wp\/v2\/posts\/2603"}],"collection":[{"href":"https:\/\/gncz.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gncz.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gncz.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gncz.net\/index.php\/wp-json\/wp\/v2\/comments?post=2603"}],"version-history":[{"count":0,"href":"https:\/\/gncz.net\/index.php\/wp-json\/wp\/v2\/posts\/2603\/revisions"}],"wp:attachment":[{"href":"https:\/\/gncz.net\/index.php\/wp-json\/wp\/v2\/media?parent=2603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gncz.net\/index.php\/wp-json\/wp\/v2\/categories?post=2603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gncz.net\/index.php\/wp-json\/wp\/v2\/tags?post=2603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}